Shelley Winters: “Wait A Minute—Where Am I?”

By Helen Dudar Writers Bloc June 1980 Shelley Winters has written the story of her life. Anyone who has followed her flourishing career on the talk show circuit will be pardoned for asking what she possibly has left to tell. The TV addict who really keeps track of...

J. D. Salinger in Retreat…

By Helen Dudar Writers Bloc June 1979 In this age of hard sell, when even the most reticent author can be coaxed into a half-hour on camera with Dick Cavett, J. D. Salinger obdurately remains publishing’s invisible man. This is, of course, hard on his admirers, who...

The Seductions of MTV

By Helen Dudar The Wall Street Journal September 26, 1983 Most of my friends can be seduced by a tedium of journalists gnawing over the week’s news or by the exquisite boredom of Brideshead Revisited, but my television tastes run to junk. Family Feud, Entertainment...

Patricia Wells: An American Food Critic in Paris

By Helen Dudar The Wall Street Journal October 4, 1988 Paris So here we are, a couple of American women lunching at the restaurant of Guy Savoy, two stars in the Michelin, four toques in the fervidly celebratory Guide Gault-Millau. Naturally, in keeping with local...

Toni Morrison: Finally Just a Writer

By Helen Dudar The Wall Street Journal September 30, 1987 A few summers ago, Toni Morrison looked out at the Hudson River from the little pier of her house in Rockland County and discovered that she was feeling dizzy. She had, at the urging of her editor at Knopf,...

Lauren Bacall: Remembrances of Bogie and Other Things Past

By Helen Dudar Writers Bloc 1979 New York  Given the nature of movie imagery, which is strong, persistent, and sometimes indelible, we may be pardoned if we think of Lauren Bacall as a woman who combines steely independence with a sassy, unflinching social ease....

Uta Hagen, Acting!

By Helen Dudar The New York Times December 15, 1985 Uta Hagen Acting, Acting, in ‘Mrs. Warren’s Profeesion’… Since Uta Hagen is one of the glories of the American theater and since she turns up infrequently in large public performance spaces, she is subject to a...