The Double Life of Peter O’Toole

By O’Connell Driscoll Playboy August 1982 The House on Stradella Road in Bel Air had tall iron security gates, which were standing open. Sitting in the center of the driveway—and blocking the entrance—was a black Cadillac limousine with darkened windows. A chauffeur...

And Don’t Call Her Bogie’s Baby

By Tom Burke The New York Times March 22, 1970 Detroit She isn’t even mildly fatigued. For eight nerve‐shredding weeks, Lauren Bacall has been trying out her first musical, Applause, nightly belting a dozen songs in her big applejack‐brandy alto And swooping through...

Nick Nolte Hangs Tough

By O’Connell Driscoll Playboy September 1979 “It’s One-Fifteen,” the man in the green-corduroy jacket said. “He was supposed to be here at one. My appointment was for one o’clock.” The man said this to a middle-aged woman who was sitting at a desk on the other side of...

The Post-Celluloid Tristesse of Raquel Welch

By O’Connell Driscoll Playboy February 1977 It is the day before the Academy Awards. There is a small crowd of people standing in a light rain outside the stage door entrance to the Music Center, in downtown Los Angeles. The rain has been falling all day, and now, at...

Looking for The Real Thing

By George Malko The Stacks Reader July 30, 2019 When I met George Malko a few years ago he told me about his friendship with Pauline Kael which began after he profiled her for Audience magazine in 1972. Kael was the one who invited George to a press screening of...

The Making of “Fat City”

By Leonard Shecter Look October 19, 1971 The scene called for Billy Tully, played by Stacey Keach, to be thinning and weeding young tomatoes under a broiling sun. It’s sweaty, backbreaking working that must, because of the delicacy required, be done with a short,...

The Lady in the Dark

By Phillip Lopate New York Woman November 1989 Pauline Kael has just turned seventy. An important birthday; her house in the Berkshires is filled with flowers from well-wishers. “I don’t want you to get the wrong idea that there are always this many flowers around,”...

Who’s the Bull Goose Looney Here?

By Grover Lewis Playboy 1975 The midmorning sky over the Oregon State Hospital in Salem looks liverish, quiverish, ready to collapse with torrential rain at any second. On the crewcut lawn behind the main building, an orderly shoos his excursion troupe of exercising...

The Stacks Chat: Edward Sorel

By Alex Belth Esquire November 2016 Edward Sorel is one of the finest—and funniest—caricaturists this country has ever produced. Although he works in a variety of styles, you’ll likely recognize his work right away—you’ve seen it in Esquire, Harper’s, The New Yorker,...

Too Close for Comfort

By Ross Wetzsteon American Film May 1984 “Tell the guys in the crew to use my trailer while I’m gone.” It’s a star’s trailer, parked outside War Memorial Stadium in Buffalo, New York, Glenn Close is shooting The Natural with Robert Redford and Robert Duvall. It’s a...

Payday

By Robert Ward American Film May 1985 Maury Dann, the country singer, is sitting in a restaurant with his entourage. It’s one of those cheap little Formica-table places in Alabama, the kind of hard-light joint that says “All You Can Eat” outside. Maury is a...

Vietnam: How the War Became the Movie

By William Broyles Jr. Smart July–August 1990 I have been trading war stories with other Vietnam veterans for two decades. I almost never believe the stories they tell me, any more than you should believe mine. I don’t mean these stories aren’t true, just that they...