A Hollow Venue

By Steve Oney New York July 29, 1996 The most telling news to come out of Atlanta during the days leading up to the opening ceremonies of the centennial Olympic Games had nothing to do with the erection of a 165-foot-tall statue of a Coca-Cola bottle—in a city of...

Unrampling Charlotte

By Joan Juliet Buck Vanity Fair April, 1988 Charlotte Rampling is the only star who currently belongs to both the world of cinema and the world of of chic. In a famous photograph by Helmut Newton, she sits naked on a table in Arles, glowering. The picture is...

Jonathan Demme’s Offbeat America

By James Kaplan The New York Times Magazine March 27, 1988 In a dim room high above the controlled chaos of Times Square, Jonathan Demme is watching a movie. To be more precise, the director is looking over the shoulder of his film editor, Craig McKay, at an editing...

Damn Black Sox

By Bruce Buschel GQ June 1988 It is World Series weather in Indianapolis. Thirty-five degrees. Charlie Sheen is dancing around center field, trying to warm up. He is worried about his arm tightening up before the big throw. He worries whenever he can. He worries about...

“May I Kiss You on the Forehead, Sam?”

By Jon Bradshaw New York December 29, 1975/January 5, 1976 It was practically dawn and the weather, he noted with particular pique, was diabolic. On mornings like these, he preferred to rise late. He liked to walk down to the Yale Club and play a little squash. He...

Catherine the Great

By Joan Juliet Buck Vanity Fair April, 1989 “Do you blow your money? I mean, just blow it?” she asked. “There’s a vertigo in going too far—the thrill that produces—especially if it’s likely to put you in an impossible situation. And then, cash worries are easier to...

The Stacks Chat: Derek Cianfrance

By Alex Belth The Stacks Reader May 20, 2020 When you watch a movie by Derek Cianfrance you know you are witnessing something deeply personal. No mistaking that. There is nothing light or frivolous in his work. Best known for his features Blue Valentine, A Place...

Cher And Altman on Broadway

By Jennifer Allen New York Magazine February 1, 1982 Cher had been careful to chew two of the quarter-size vitamin pills before swallowing them, she says, but they tasted so bitter that she decided to down the third one whole. It jammed, horizontally, in her windpipe,...

Swifty Lazar Is a Big Deal

By Jennifer Allen New York Magazine July 18, 1983 The beautiful lady and the reporter sit facing each other on wicker sofas in the lady’s small but elegant Los Angeles office. They are silent, sheepish, like schoolgirls who have been collared in the hall by a teacher...

Don’t Sweat the Technique

By Alex Belth The Stacks Reader April 23, 2020 John Huston was thirty-five when he made his directorial debut with The Maltese Falcon. He was 81 when he directed his last movie, The Dead. Which begs the question—has any director had a better start and finish? When...

Annabella Sciorra Surveys Life After Success

By Helen Dudar The New York Times October 4, 1992 To anyone who has been keeping a careful watch, it would seem as if Annabella Sciorra has been making movies almost without pause. In fewer than four years, she has appeared in seven films, in small and large roles,...

Jerry Goes to Death Camp!

By Bruce Handy Spy May, 1992 To artists and intellectuals, the twentieth century has posed no questions more vexing than these: First, can art make sense of the Holocaust? And second, why do the French love Jerry Lewis? The first question can’t really be answered, at...